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Before I get into specific plug-ins, I should mention Microsoft Plus! Digital Media Edition. That program itself is a set of plug-ins that work with Media Player and Windows Movie Maker. Some of the downloadable plug-ins are actually enhancement to the Plus! program itself. Plus offers some very handy features right off the bat. For example, Plus will let you can print CD jewel labels of songs from playlists you burn to CDs. You can create Photo Stories with Plus! photo slides shows with music and narration. It also contains a programs to help with capturing music from analog devices such as cassette recorders and vinyl LPs. Its Audio Converter can convert .wma songs to MP3, and MP3 songs to .wma. There s even more to it than that, so it s well worth the $20 it costs to purchase and download. You can learn more about Plus! Digital Media Edition from www.microsoft.com/windows/ plus. You can also purchase and download the program from that site. Though can also find it at any store that sells software. Once installed, the main features of Plus! will be available from your All Programs menu. Additional Media Player skins that come with Plus! will be available in Media Player when you chose View Skin Chooser from Media Player s menu.

Jan Borchers and Max Miihlhauser. Design patterns for interactive musical systems. IEEE Multimedia, 5(3):3646, July-September 1998. Jan 0. Borchers. Desigrung interactive music systems: A pattern approach. In Human-Compufer Interaction: Ergonomics and User Interfnces. Volume I of the Proceedings of the HCI International '99 8th International Conference on Human-Computer Interaction (Munich, Germany, August 22-27, 2999), pages 276-280. Lawrence Erlbaum Associates, London, 1999. Jan 0. Borchers. CHI meets PLOP:An interaction patterns workshop (at ChiliPLoP'99 Conference on Pattern Languages of Programming, Wickenburg, AZ,March 16-19, 1999). SlGCHl Bulletin, 32(1):9-12, January 2000a. Jan 0. Borchers. A pattern approach to interaction design. In Proceedings of the ACM DIS 2000 Infernational Conference on Designing Interactive Systems (New York, August 27-29,2000), pages 349378. ACM Press, New York, 2000b. To be reprinted in Communication In Design, special issue of AI & Society International Journal of HumanCentred Systems and Machine Intelligence, Springer-Verlag, London, 2001. Jan 0. Borchers, Sally Fincher, Richard N. Griffiths, Lyn Pemberton, and Elke Siemon. Usability pattern language: Creating a community. Report of workshop at INTERACT'99 (Edinburgh, Scotland, August 30-31, 1999); to be published. Jan 0. Borchers, Richard N. Griffiths, Lyn Pemberton, and Adam Stork. Pattern languages for interaction design: Building momentum. Report of workshop at CHI 2000 (The Hague, Netherlands, April 2-3, 2000); to be published. Mark Bradac and Becky Fletcher. A Pattern Language for Developing Form Style Windows, chapter 19, in Martin et al. [1998].

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So Derek is unskilled; Charlie is skilled; Bruno is highly skilled, and may have the help of an unskilled insider such as a cleaner; while Abdurrahman is not only highly skilled but has substantial resources. He may even have the help of a technician or other skilled insider who has been suborned. The sociologists are interested in Derek, the criminologists in Charlie, and the military in Abdurrahman; our concern is mainly with Bruno. He isn t the highest available grade of civilian criminal (that distinction probably goes to the bent bankers and lawyers who launder money for drug gangs, whom I ll get to later). But in countries without a terrorism problem, the physical defenses of computer rooms tend to be designed with someone like Bruno in mind. (Whether this is rational, or an overplay, will depend on the kind of business your client is in.) The common view of Bruno is that he organizes cunning attacks on alarm systems, having spent days poring over the building plans in the local town hall. You probably read about this kind of crime several times a year in the papers.

Figure 5-25: The MIDI Time Slider Control Setup dialog box lets you set up specific notes to start, stop, and step through an animation. You can use the Animation panel to assign a new Sound Plug-In to use, as well as to set the default values of all animation controllers. The Override Parametric Controller Range by Default option causes controllers to be active for the entire animation sequence instead of just their designated range. The Spring Quick Edit option lets you change the accuracy of all Spring controllers in the entire scene in one place. The Rollback setting is the number of frames that the Spring controller uses to return to its original position.

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